From the beginning, Christian Dior envisaged an entire look for the well-dressed woman that included, shoes, bags, make-up and fragrances which he initially designed himself. Later, the House collaborated with milliners such as Stephen Jones and shoe designer Roger Vivier.
For over ten years, the French shoe designer Roger Vivier was enlisted to create footwear using exquisite embroideries and luxurious fabrics. In recognition of his status, Vivier’s name can be seen stamped into the insole alongside Dior’s.
A not to be missed highlight of the exhibition is the bespoke workspace featuring toiles (prototypes) and, for the first and last week of the exhibition, Dior atelier staff at work. There is also a large video screen that provides a fascinating insight to the workings of the House.
And the finished product.

Christian Dior, Paris (fashion house) John Galliano (designer) Konnici-Kate, suit 2007, autumn−winter 2007–08 Dior Heritage collection, Paris Photo © Guy Marineau
The work in progress …

Serge Braunschwig COO of Christian Dior Couture chats with artisans demonstrating their skills Photograph: GRACIE
and the exquisite craftsmanship.

Serge Ruffieux (Designer) Look 21 Bar Jacket 2016 Autumn-Winter wool, silk (organza, tulle) embroidery Photograph GRACIE
There’s a section exploring Dior’s early and unique relationship with Australia, including the 1948 Spring fashion parade at David Jones, Sydney and documented publicity surrounding it.
No fashion exhibition would be complete without the inclusion of design sketches and these are really worthy of a close-up peep.

Christian Bérard Illustration of the Bar, afternoon ensemble 1947 Dior Heritage collection, Paris © ADAGP, Paris 2016/Licensed by Viscopy, Sydney
Finally, a room full of wonders that includes Miranda Kerr’s wedding dress and a carousel with a superb John Galliano creation
Simply click through the clips to view behind the scenes of the exhibition, the details of Miranda Kerr’s wedding dress and a fascinating interview with milliner, Stephen Jones.